Årabrot Speciale announce live soundtrack album 'Die Nibelungen' / European tour with The Ocean
While the global waves made by their critically acclaimed album Who Do You Love from last year still crash ashore, Norwegian noise / avantgarde rock act Årabrot are now expanding their sonic realm as Årabrot Speciale: Die Nibelungen is a soundtrack to Fritz Lang's legendary silent movie, performed and recorded live at the Tromsø international film fest in 2016: a truly different and special project, which further showcases the artistic diversity of this groundbreaking band.
Årabrot have collaborated with producers like Billy Anderson and Steve Albini, and musicians like Ted Parsons (Killing Joke/Swans), Sunn O))))'s Stephen O’Malley, and Kvelertak's Erlend Hjelvik, and band leader Kjetil Nernes has teamed up with The Quietus founder John Doran on his spoken word tour.
Årabrot has done live scores to old silent movies before, including Das Kabinet des Dr. Caligari, and it was obvious that Kjetil Nernes was capable to give Die Nibelungen a sound element that the movie deserves. Nernes was asked: Could you make new music to a five hour long silent movie AND perform it live in just a few months? On paper it seemed like a hopeless project. Way too little time. Way too long of a movie. But Årabrot is one of a kind.
On September 3rd 2016, Årabrot Speciale stood ready at Verdensteatret in Tromsø; a magnificent building from 1916. Alongside front man and composer Nernes, on this day, Årabrot consisted of Karin Park (keyboard), Ane Marthe Sørlien Holen (percussion) and the British musicians Andrew Liles (Nurse With Wound/Current 93) and A.P Macarte (Arkh/Gnod).
Fans of Årabrot that assumed that this would be five hours of continuous flat pedal and a wall of noise, were surprised. Årabrot’s Die Nibelungen piece has both quiet, melodic and atmospheric parts, something that makes the loud and hard parts possibly even more monumental than what we expected from the hands of Kjetil Nernes: for example, the movie ends with a twenty minute fight scene accompanied by a heavy, repeating riff that blew the plaster off of Verdensteatret’s vulnerable stucco.
The concert was luckily recorded and Andrew Liles has produced the excerpts that make up this album. One of the strongest concert experiences I’ve ever witnessed was these hours with Årabrot and Die Nibelungen: this album is a documentation of what Årabrot are capable of. And the silent movie has never been less quiet. - Ronny Bratten, Tromsø Filmklubb
ÅRABROT SPECIALE w/ THE OCEAN
02/04 - SE, Stockholm - Fryshuset, Klubben 03/04 - SE, Gothenburg - Tradgarn 04/04 - NO Drammen, Union Scene 05/04 - NO Hamar, Gregers 06/04 - NO, Stavangar - Folken 07/04 - DK, Aalborg - 1000Fryd 08/04 - DK, Copenhagen - Vega
'Norwegian noise-rockers who follow in the footsteps of uncompromising US acts such as Swan and Big Black’ - The Financial Times
‘Evokes the more artistically ambitious but no less menacing likes of Killing joke and Swans’ - Uncut Magazine
‘They’re at their weirdest and best’ - The Wire
'One hell of an album’ - The Line of Best Fit
‘Superb’ - The Quietus
"Silent movie has to be one of the most misleading terms of all time. The silent movie was everything but silent; it was supposed to be performed accompanied with music. Film music was something completely different in a time where movies didn’t include audible dialogue, but was dependent on the music to get their message across. The big silent movies were presented with vibrant music in a movie theatre.
Almost ninety years after sound stole the thunder of the silent movie, there still are some dedicated souls that try to keep and further develop the silent movie as an art form. In Tromsø, Silent Movie Days are arranged every fall; a festival that shows classic silent movies with live music performed by artists and bands of different genres.
In 1924, the legendary director Fritz Lang made a fantasy movie based on the most Germanic myths of them all; Der Nibelungesage from the years 5- or 600s. The epic story is about how the dragon-slayer Siegfried was murdered at the court of the Burgundians and the later revenge of his wife Kriemhilde. In the middle ages, The Song of the Nibelungs (die Nibelungelied) was written down and the story can be found all over Europe, even in the Norse sagas. Richard Wagner made an opera of the piece, Der Ring des Nibelungen, which is considered one of his main works.
Fritz Lang divided the movie into two parts (“Siegfried” and “Krimhield’s Rache”) and was originally meant to be shown over two separate nights, something that wasn’t odd since it run for almost five hours. Siegfried bathes in dragon blood, has a magical rings that gives him unwanted powers that comes in handy when he ends up in a power match at the court of the Burgundians. The movie is filled with dwarves, fog, warriors with strange helmets, ancient honors, sword fights, violence and eroticism.“
- Ronny Bratten, Tromsø Filmklubb
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